東(dōng )京國際同&
東(dōng )京國際同志影展(zhǎn )參展作品(pǐn )
Taapmaan is a hard-hitting, dark action drama about an independent filmmaker whose only wish is to become the kind of filmmaker he wants to be. He has been struggling since quite long but still has nobody standing by his side. In addition to this, his not-so-successful career gets affected badly when an online critic, with whose opinion he had once disagreed, gets him framed for making a snuff film. When he's not provided justice, he gets shattered from within and proclaims openly to sacrifice his speech unless he gets justice. But in the age of digital media, isn't he just another guy who wants his work to be seen and appreciated? His battle intensifies when time passes by and lack of justice makes him brutal and extremely angry.
导演瑞泽在家中(zhōng )被人(🏭)残忍(rěn )杀(🤡)害，恰好在(🚥)远(yuǎn )方目(😙)击杀人现(📏)场的段爷(🐟)前(qián )去救(🏎)援，却(què )被(🆙)随后赶到(🥈)的(de )警(jǐng )察赵正(💡)浩(hào )当作(♏)杀人犯，经(🙇)(jīng )过初步(📺)排(pái )查，警(🍵)方确定此(🔺)(cǐ )案应属(🐵)熟(shú )人作(🔼)案，在被害(🏇)(hài )人瑞泽(〰)的(de )社会关(⤴)系调查中(😣)(zhōng )，赵正浩(☕)发(fā )现瑞(👎)泽于死前(🧚)(qián )数(shù )日(🥉)曾与几(jǐ )位大学同学在(zài )某(mǒu )桌游吧聚(jù )会过，此(🐹)次聚会(huì(🌸) )中竟有自(🔳)(zì )己的妻(🉐)子——法(♈)(fǎ )医书萱(🤲)在(zài )场。却(😞)正撞上偷(🍀)(tōu )偷摸摸(🤾)前来找线(🗻)索的段爷(yé )，两(💝)人做起(qǐ(😲) )了临时探(🦊)案搭(dā )档(🛷)(dàng )。
藝術家(🌲)(jiā )自古皆(🎲)寂寞或(huò(🕝) )許(xǔ )是境(🍏)界，人到中(📰)年萬事憂(🏙)(yōu )則是現(🤠)實(shí )。在畫(🍛)室洋洋灑(🚊)(sǎ )灑呈現(🐣)自(zì )由雄(➕)風的裸男畫(huà )作令他一舉(jǔ )成名，在家面(miàn )對前妻懷着(zhe )新歡(🍢)骨肉、與(🍨)(yǔ )女(nǚ )兒(⬆)相處尷(gā(🍬)n )尬卻令他(🔋)一籌莫(mò(👾) )展。貝蒙(mé(😶)ng )特的寂寞(🎉)，在於(yú )如(🎠)何在著(zhe )名畫家與單親爸(🚉)(bà )爸雙重(📋)身(shēn )份、(🤜)藝術創作(🌊)與(yǔ )家庭(🗃)生活之(zhī(⛳) )間取得平(🗾)衡。維(wéi )羅(🔩)（《電(diàn )影(🏞)就在街角(🔅)》，35 屆）找來(🐋)(lái )合作多(🌡)年的編劇(👏)(jù )兼美指(😑)好(hǎo )友對(🔒)號入座，還(hái )原藝術家(jiā )有血有肉的矛盾(dùn )本性，在出(chū )世與(🦉)入世的兩(👊)(liǎng )難外，毋(🧑)忘(wàng )點點(❗)超現實的(🐑)(de )幽(yōu )默。
影(📫)片(piàn )讲述(📶)青年医生(🥉)刘(liú )云翔(❓)因为(wéi )父亲的被杀从而(🏺)(ér )卷入了(🛃)一(yī )起日(🎞)军盗抢国(😔)宝(bǎo )化石(🚞)的阴(yīn )谋(🏪)，展示了我(🎄)北(běi )平地(🦖)下党为(wé(🏢)i )保护民族(🤠)国宝(bǎo )而(⬛)(ér )同日本(🌝)侵(qīn )略者(♎)斗智斗勇(😳)(yǒng )的(de )故事(🌒)。
Loosely following a traditional Passover Seder, events from the Book of Exodus are retold by Moses, Aharon, the Angel of Death, Jesus, and the director's own father. But there's another side to this story: that of the Goddess, humankind's original deity. Seder-Masochism resurrects the Great Mother in a tragic struggle against the forces of Patriarchy.
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